GO London GO

Rufus Norris, the multi-award-winning director of such West End and international hits as Cabaret, Les Liaisons Dangereuses and Festen, makes his operatic debut with Mozart's most darkly seductive score. Set designer Ian MacNeil has also won numerous awards, including two Evening Standard Awards (one for Festen), two Oliviers (one for ENO's Ariodante) and a Tony (for Billy Elliot: The Musical). Here making his London operatic debut, the outstanding young Ukrainian…

Hailed by Stephen Daldry as 'one of the dozENOr so most important theatre directors working anywhere in the world', Simon McBurney, Artistic Director of Complicite, makes his operatic debut with the premiere of a new work proudly following in the absurdist tradition of Shostakovich's The Nose and Schnittke's Life with an Idiot, both former ENO successes. Based on Mikhail Bulgakov's once-banned satire on the New Soviet Man, Alexander Raskatov's A…

Image taken on 2007-05-22 07:23:18 by Josh Ward Garden Design.

The man behind China’s signature Olympic stadium has criticised next year’s games and says he is going to boycott them. Ai weiwei says Beijing is using pomp and propaganda to hide the true of face of China.

AMY WINEHOUSE has morphed into a fashion designer, the creative force behind a new range of gear for women by Fred Perry. read more

yes were talking here about the designer of the crappest most infantile olympic logo ever…personally i would like to see this person have their nose rubbed in their own excrement like a bad dog. its the least that should be done to a person for making an entire nation cringe with embarassment.

http://blog.case.edu/james.chang/2007/06/06/2012Logo_LondonOlympics.jpg As a graphic designer by trade, I absolutely shrieked when I saw the London 2012 Olympics logo. I’m curious about thoughts from other designers, those in the arts and general Olympics junkies… how can it be defended?